My work is based on serial drawing processes organized through repetition and variation. The starting point is often the head as a reduced form, functioning less as a figure and more as a structure within a pictorial system. Drawing here does not serve representation, but the investigation of relations. Lines, planes, and densities are arranged in a way that generates tensions between control and autonomy. Meaning does not emerge within a single image, but through sequence and comparison within a series. The groups of works develop as open systems. Repetition produces both precision and displacement. In this way, the focus shifts from the indivi- dual gesture to overarching structures, without losing the physical presence of the drawing. In recent works, the surface moves more strongly into the foreground. Material, support, and space are understood as active elements that not only carry the image but also codetermine it. Drawing expands into installative constellations in which individual works intensify and inform one another. My practice thus operates between assertion and response, between a clear formal decision and the moment in which the material begins to assert its own autonomy.